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Legend has it, that in the sixth century an
Indian Buddhist monk by the name of
Bodhidharma made the long and hazardous
journey from India to China, in order to
instruct the monks of the Shaolin Temple in
Zen.
However, the regime he demanded was
physically too severe for his followers.
Therefore, he is said to have devised a
system of mental and physical training that
they should follow in order to be strong
enough to follow his path to fulfillment.
Some scholars maintain that Bodhidharma had
little to do with Martial Arts expertise
that was to flourish within the Temple,
whatever the truth the expertise of the
monks became legend.
The following centuries were a time of great
civil unrest with several wars. With the
downfall of the Monasteries the warrior
monks roamed the land teaching Zen and
spreading the Martial Arts. With the Arts
tested in battle, and with the natural rule
being the survival of the fittest, the
useless techniques eliminated, as were the
exponents.
The general unrest of these times was not
confined to the mainland. The Island of
Okinawa, the largest of the Ryu Kyu group,
had also developed rudimentary fighting Arts
which had probably developed from the
Shaolin Monks. In the eleventh century due
to feudal wars in Japan, a large number of
refugees many of them warriors, fled to
Okinawa and added to the Arts already
practiced on the Island.
The fourteenth century Okinawa came under
the control of China, many of the military
attaches were themselves highly skilled in
the Martial Arts and some of them taught
their skills to the local fighters.
Fighting without weapons was at this time
considered by the upper classes and armed
warriors to be nothing more than a common
form of brawling and fell out of fashion.
This led to the fighting Arts of Okinawa to
take place in secret.
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In the mid nineteenth century the Japanese
government began conscripting Okinawans and
impressed by the physical conditions of
certain individuals, those that practiced
the Martial Arts, this led indirectly to the
practice of Martial Arts in schools of
Okinawa.
The person that was responsible for teaching
an Art known as Chinese Hand was a school
teacher by the name Gichin Funakoshi.
Funakoshi is regarded as the father of
modern Karate, being responsible for the
first displays of Karate on the Mainland in
1917 and again in 1922. He wrote the first
book on Karate, and was responsible for the
first change of name from ‘Chinese Hand’ to
‘Empty Hand’ ; ( Empty - Kara, Hand - Te ).
Funakoshi’s pen name was Shoto therefore
students who trained at Funakoshi’s (
Shoto’s ) House ( Kan ) were of the Shoto
Kan.
Karate as a sport was not explored fully
until the fifties, under rules devised by
the Japan Karate Association, headed by
Masatoshi Nakayama, one of Funakoshi’s
former students. The most successful
exponent at this time was Hirokazu Kanazawa
who was later instrumental in bringing
Karate to Britain in the early sixties.
Sensei (teacher) Kanazawa along with Sensei
Enoeda set about bringing Shotokan Karate to
all corners of the country.
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